Tuesday, August 18, 2009

Step Aside Deanna. Mike Has a New Childhood Sweetheart

Coming home from his camping trip in this reprint of For Better or For Worse, the thing that Michael missed most was the house. I think this is supposed to be something like those stories where the person gets off a ship after a harrowing trip and kisses the dirt on the ground. Only, it doesn’t quite work.

For one, Michael’s mental dialogue in the final panel (“Hi, house!...Did you miss us?”) implies that Michael thinks of the house as a living being of sorts. For two, John’s comment in panel 3 even more strangely affirms Michael’s thoughts (“What’s with Michael?...We were only gone a few days!”) as if hugging the house because you miss it is acceptable behaviour if they were only gone longer. For the third, this situation does not match any in my experience. I have never seen a kid hug a house after a trip away.

For the fourth, in the final panel, Michael’s face is way too Peanuts. Lynn could have traced that face directly off of a Charles Schulz comic strip with Linus hugging his blanket after a brief separation. This is the most obvious source. Linus in Peanuts often spoke to his blanket as if it were a living thing. With a blanket, it’s cute. You can carry around a blanket as if it were a companion. With the considerably less mobile house, it’s creepy.

16 Comments:

Blogger DreadedCandiru2 said...

This comment has been removed by the author.

2:45 AM  
Blogger DreadedCandiru2 said...

It's easy to see why it is that Mike was so adamant about not looking at all the houses Deanna showed him; after all, he'd punished himself for betraying his beloved Pattermanse by living in Saltzmann's antiquated old barn and whining about the Kelpfroths.

3:48 AM  
Blogger April Patterson said...

For the fourth, in the final panel, Michael’s face is way too Peanuts.

And oddly enough, my riff on this (which you'll see in Friday's FOOBAR) has him looking way too Family Circus. I went a bit too wide on his head and he ended up with a case of Keane-itis. ;)

Agreed about the creepiness of hugging the house.

4:14 AM  
Blogger howard said...

DreadedCandiru2,

It's easy to see why it is that Mike was so adamant about not looking at all the houses Deanna showed him;

I think I missed a storyline here. Deanna was showing Mike houses? The only one I remember them going to see was the Stibbs house (John’s dream home with the 3 lots) when April suggested Mike and Deanna move there.

5:55 AM  
Blogger howard said...

aprilp_katje,

And oddly enough, my riff on this (which you'll see in Friday's FOOBAR) has him looking way too Family Circus.

To me the crinkly mouth and rounded head says Schulz; but in any case, it was obvious to you and to me that it doesn’t look like Lynn’s style. It looks like she was copying from someone else’s artwork.

5:56 AM  
Blogger April Patterson said...

To me the crinkly mouth and rounded head says Schulz; but in any case, it was obvious to you and to me that it doesn’t look like Lynn’s style. It looks like she was copying from someone else’s artwork.

Oh, I wasn't disagreeing with you about the Schulzlike quality of Michael in today's reprint--only admitting that when I tried to reproduce her copying, I ended up iadvertently copying someone else. :)

6:00 AM  
Blogger Jennifer E. said...

In Peanuts, Sally used to talk to the school building. It seems to me Lynn is copying her BFF Sparky after all.

6:29 AM  
Anonymous Anonymous said...

Mike may as well love the house. As later years show us, by the time he was past high school he only saw John as a source of money. Elly he mainly used as a source of praise for his writing and fatherly skills, both of which he could just as easily get from Deanna.

But for true love? Just the house, baby. And Weed. But Weed couldn't live with him.

7:18 AM  
Blogger DreadedCandiru2 said...

I remember that Mike looked at a bunch of apartments in his old neighborhood but couldn't fine one as nice (that's dilapidated in real English) as the Saltzmann deathtrap. Besides that and not wanting to have any part of the Tiny Train House, that's about it for his searching for a new home.

8:01 AM  
Blogger howard said...

aprilp_katje,

Oh, I wasn't disagreeing with you about the Schulzlike quality of Michael in today's reprint--only admitting that when I tried to reproduce her copying, I ended up iadvertently copying someone else. :)

So, when you copy Lynn Johnston copying Charles Schulz, it comes out as Bill Keane.

11:54 AM  
Blogger howard said...

Jennifer,

In Peanuts, Sally used to talk to the school building. It seems to me Lynn is copying her BFF Sparky after all.

Good point. I had forgotten Sally used to do that. Maybe Sally and the school building and Mike and his house could double-date.

11:55 AM  
Blogger howard said...

Anonymous,

But for true love? Just the house, baby. And Weed. But Weed couldn't live with him.

They came close one time, but the ladies stopped them.

11:56 AM  
Blogger howard said...

DreadedCandiru2,

I remember that Mike looked at a bunch of apartments in his old neighborhood but couldn't fine one as nice (that's dilapidated in real English) as the Saltzmann deathtrap.

Even back then Mike didn’t look for the Saltzman place. Weed found that for them.

12:02 PM  
Blogger April Patterson said...

So, when you copy Lynn Johnston copying Charles Schulz, it comes out as Bill Keane.

I'm afraid so--or at least this is what happened in this particular instance. ::hangs head in shame::

12:36 PM  
Anonymous Chucique said...

Howard:

They came close one time, but the ladies stopped them.

Gotta love how Weed describes Mike's idea as "romantic". Lynn had no idea, did she?

Of course, Mike was planning on buying the places to get petty revenge on the Kelpfrothers, but maybe that turned Weed on.

2:42 PM  
Blogger howard said...

Chucique,

It might have. Mike is prettier than his girlfriend and more manly at the same time.

10:37 AM  

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